Rob Kershaw
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Kentucky Route Zero is a maddeningly obscure visual novel, both beautifully dull and mundanely fascinating. It will no doubt split opinion, but if you enjoy an abundance of metaphor and some quirky introspection, it will definitely tick your boxes.
Unevenly paced and peppered with bugs, Fallen Order demands a lot up front before it reveals its hand. At that point, a thoroughly decent Star Wars adventure unfolds... but patient, you must be.
An uneven selection of party titles which, while polished, doesn’t have a killer game in its bundle to make it a must-have purchase.
Wordy, involving and whip-smart, Disco Elysium is a tremendous achievement which deserves to be held up as the new template for story-driven RPGs.
Solid action-adventure chops and a super central gameplay gimmick just about smooth over Control’s rough edges. If you ignore the story and focus on the combat, you’ll have a great time.
The Sojourn is a competent and technically apt puzzler, but one which feels oddly empty.
Gibbous skews its Lovecraft origins to comic effect, though it would have benefitted from more testing puzzles and less obvious humour.
The writing is clichéd and the gameplay linear, but Dry Drowning provides enough quirks for fans of the visual novel genre to warrant a look.
An initially fascinating murder mystery that descends into repetition for its final two-thirds. A real shame.
Draugen’s story might not meet the quality of its visuals, but it's an engaging few hours nonetheless.
A visually arresting and occasionally gripping sci-fi drama, weighed down by a clunky interface and poor pacing.
A markedly different approach to adventure gaming; while it won’t be for everyone, Heaven’s Vault will undoubtedly attract a cult following.
