Josh Wise
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EurogamerLatest Reviews
A beautiful Britain, an exuberant driving engine, and generosity of spirit make Forza Horizon 4 a masterclass.
Fluid platforming and frenetic combat, with some lovely spectacle and a dull story.
Days Gone is a grim, beautiful B-movie; its action and writing are full of pulpy thrills, and by the end of it, I found myself liking a character called Deacon St. John – an achievement in itself.
Shadow of the Tomb Raider takes the series’ formula and pushes it, polishing the platforming and bolstering its tombs, but the game’s power ebbs as the main quest is bloated with distraction, and the writing is still patchy and dull.
More than felling each Visionary, however, and piecing together the history of Blackreef, I relished uncovering more about Colt.
The first thing we might do is applaud the fact that Marvel’s Avengers exists, that it can be bought and booted up, and that there is fun here to be had.
No More Heroes III should be played, if for no other reason than it could have been made by nobody else.
It’s only when you stop playing, feeling somehow frazzled, energised, and jittery, that you realise the game has as much in common with the audiovisual arts as it does with a double-shot of espresso.
As it happens, though I played for much longer, I had had more than my fill after the first four hours, with no desire to venture back in.
Best enjoyed at a breezy remove, Borderlands 3 provides a punchy shooting experience, a massive open world, and some eye-rolling, adolescent humour.
A joyous and rugged display of rally racing, with exquisite handling, lightly flecked by technical issues.
Lords of the Fallen is enough to tide you over until the next Soulslike, and it has some arresting sights, but it lacks a focus of its own.
