Josh Wise
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EurogamerLatest Reviews
Link’s Awakening is happy to be history, and it defies you not to be, as well.
Star Wars Jedi: Fallen Order has a string of wisely chosen influences, and it delivers on the long-overdue promise of a fun Jedi action-adventure. Bugs and design wrinkles irritate.
With Shenmue III, we are offered a glimpse into a gifted mind, constantly turning the everyday into play.
The Italian tourist board may consider litigation.
The designs of Elizabeth’s family aren’t so much foreshadowed as foreshouted, and the plot soon wavers off-key and winds up shipwrecked. But something about it hangs around, like the hum of an unsettling tune.
The more I played the less the goings-on of the narrative bothered me, and the more I relished the wavelike rhythm of the action: the roll and crash of sailing and breaking to alight for supplies.
Carrion abounds with the thrills of being the monster, then, but, less common and more cosy, with the kick of being in a monster movie—of slithering in celebration over the tropes of the genre. The good news is that, for a while, it works.
If you’re hoping for a sombre tale of lives brought low by the touch of darkness, my advice would be to go for a ride and take in the sights instead.
Faced with a declaration as longing and impatient as “It’s About Time,” I can’t help but think, Is it?
Where the action comes alive is in the leaving behind of bodies altogether. Most missions involve breaking and entering, and the thrill lies in the absence of any breaking.
Dreams
Dreams is devoted to the realisation of exciting wishes, and with it Media Molecule has its defining, if not quite definable, game.
Where Little Orpheus differs from its predecessors, and what marks it as a curious mobile game, is that you appreciate it most when you aren’t playing.
