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Latest Reviews
Massive bravely peels away the many layers of Ubisoft open world-isms in Star Wars Outlaws. It's a fatal error.
Suspicious Developments' latest builds a witty, wonderfully generous adventure around a smart, rewarding, and endlessly imaginative turn-based tactics core.
Its dramatic and spectacular boss fights just about keep Black Myth: Wukong afloat, but behind all its glitz and glamour is a frustratingly hollow and rudderless action game.
A fun and frenetic reality TV sim, The Crush House delivers thoughtful commentary on virtual voyeurism.
KeelWork’s strikingly opulent shooter dares to do new things with its genre in an effort to unite players of every level. This is what a blockbuster shooter should look like.
The core of SteamWorld Heist still burns brightly in this turn-based tactics sequel, but its bid to go bigger and better is a risk that hasn't quite paid off.
Expertly paced and bursting with fresh ideas, Kunitsu-Gami: Path of the Goddess kicks down the door of the real-time strategy genre like few others, combining energetic action with spectacular demon slaying.
Developer Coal Supper's relentlessly inventive absurdist comedy might, by necessity, keep a tight rein on players, but this is an impeccably constructed masterclass in gag-telling.
Nobody Wants to Die doesn't bring much invention to the table - but while it lacks originality, it has atmosphere, heart and relevance in spades.
Once Human offers a deeply moreish open world scavenge-em-up, but weak action and generic clutter hold it back.
A quarter of a century later, Homeworld still captures the imagination - but is this the return to form we're looking for?
This is a lovely mixture of puzzling and exploration, with a delirious wraparound twist.
