Cullen Black
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Fire Emblem: Fortune's Weave is a massive SRPG and an extremely ambitious game. While its tactical battles, exploration, and management systems are excellent, a disjointed narrative holds this entry back from its potential.
Romeo is a Dead Man is a violent, loud, and deeply human reminder on why I love video games to begin with.
Despite some missed potential and a frustratingly poor localization, Shuten Order lands with such a tremendous note that it's worth experiencing. What it lacks in cohesion, it makes up for in spirit.
Off
OFF represents pure, unfiltered artistic expression, and while I can’t fully piece the puzzle together, the process of trying is rewarding.
Raidou Remastered is a charming remake of one of ATLUS' most experimental PS2 titles. It succeeds in preserving that legacy, even if it holds it back from true greatness.
This well deserved remaster of Xenoblade Chronicles X makes it easier than ever to appreciate one of the best open-world RPGs out there.
Visions of Mana is the first mainline Mana game in nearly two decades and, despite some issues, is a great step forward for the series.
Unicorn Overlord seems allergic to risk-taking, and it makes for a safe and enjoyable product that fails to introduce anything new. So when I was given just a passable game, I couldn’t help but be let down.
The Dragon Quest Monsters series makes a great return on Nintendo Switch, but in regards to its story it does very little to properly honor the legacy of the game it takes inspiration from.
Final Fantasy XVI is a confident game with amazing combat, an earnest narrative, and unbridled spectacle. Faults in pacing, RPG depth, quest design, and all those other nagging criticisms be damned - this game is special.
Loop8 is a game full of great ideas that never come together.
Octopath Traveler II is the rare sequel that manages to improve on the original without changing too much, finding success by expanding and polishing.
